William Blake, The Great Red Dragon and the Beast from the Sea, 1805 A living whirlwind that devours the darkness, in the sense of that pain apart from whose ineluctable necessity life could not continue; good is desired, it is the consequence of an act; evil is permanent. Un turbine di vita che squarcia le …
Antonin Artaud – Il male è permanente / Evil is permanent Read More »
Jean-Francois Millet, The sheepfold, Moonlight, 1860 Non sono un mietitore, checchè se ne dica. Accomodo sulle mie ginocchia la luna, mia promessa. E l’ora del pastore risuona in qualche angolo dietro il paravento dipinto della collina, sotto le palme verdeggianti del cielo deserto. Sono incline a pensare che è senza dubbio per dosare meglio la …
Gillis Mostaert (1528-1598), The Haywagon, Allegory of the vanity of the world (detail) Plates of sound where stars veer, the glass where brains are brewing sky seething with immodesties devours the nakedness of stars. A milk, bizarre and vehement, seethes in the deep firmament; a snail ascends and disturbs the placidity of clouds. Delight and …
Antonin Artaud – Vetri di suono / Plates of Sound Read More »
Antonin Artaud was a French dramatist and poet, also actor and theatre director. He is widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde and he is best known for conceptualizing a Theatre of Cruelty.
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